Max Kozloff On Lisette Model (and Weegee) (2002)
@ Lisette Model Estate Model’s art is definitely antibourgeois: her judgments indict the middle class’s smugness as well as its selfishness. By Max Kozloff, Excerpt from New York: Capital of Photography, 2002 Model’s art is definitely antibourgeois: her judgments indict the middle class’s smugness as well as its selfishness. For example, she depicted […]