There are no names, just awkward glue marks and yellowing tape- completing a metaphor for the supine bodies within.
There is a hint at the connectedness of a global community seething through super-highways of wiring, air travel, and satellite reception.
Tiane Doan Na Champassak is a machine. He works incredibly hard and is one of the busiest publishers of his work out there.
All of the images have been collated from the Internet and are displayed spread by spread.
“Briney Breezes” is a distinct and somehow discomfiting collection of images between Charles Johnstone and the tireless Aaron McElroy.
“I consider the photograph as an imprint, remnant, of an activity. The fact that the photograph exists implies a viewer located it at a specific place and time”. Brad Feuerhelm in Conversation with John Divola, October 2015 BF: I’ve been reading some of your interviews from the 80’s to present. What strikes me is the consistency […]
“There is a relevant question: can I learn anything from a dead body, from a corpse without a name and history? It is only a dead piece of meat that has a certain shape but it has no story. So I document dead piece of meat, indeed”. An Interview with Goran Bertok, by Brad Feuerhelm […]
Flies dancing in the light hovering above his eye, occasionally dropping to his occulus to suck at the seam of his eyelid; some sweet nectar from his unproven young tear duct. The tram screeches to a halt, its connecting magnetic antennae cascading sparks across the front of the train. The driver yelling inanities and expletives […]
At its base, ‘Un Universe Pequeno’ seeks to convey, in visual terms, that of a similarity to speech. This is where the base of communication meets that of the expression of the visual.
“Work by established artists can help position and elevate the work of a recent graduate, whilst the graduate’s work re-contextualizes and refreshes the established work”. Flowers Gallery Chris Littlewood Interview @ Unseen Photography has played an integral part of the program at Flowers Gallery since its inception in 1970. One of the first to open […]
“Since I became director in October 2014, I followed the emphasis on quality, but also started showing exhibitions that relate more to cultural matters, such as fashion, history and biography, among others”. Nanda van den Berg is Director of Huis Marseille Museum of Photography. She is the curator of Viviane Sassen / In and out […]
”It seems to us that there is a huge shift in how the industry and photographers are operating and the lines between fine art and commercial photography are blurring, paving the way for young photographers who are prepared to take risks and establish a career across both worlds. As a commercial agency we have always […]