Martino Marangoni: Rebuilding – My Days in New York

“Photography is bound to the world, and to time and circumstance, in a way that no other medium is. The technology is constantly evolving, as is the world, and the inevitability of these changes is part of the photographer’s relationship with her or his medium. Arguably, the most interesting photographers are those who never ‘mature’”

Who is Ed Ruscha (And Why is he So Damn Cool?)

Who is Ed Ruscha? Fine Arts Museums of San Francisco Curator Karen Breuer gives a primer on the iconic Los Angeles artist, examining his style, his subject matter, and his effortlessly cool persona.

Daido Moriyama Photographs Rebellion, Deconstructs Himself

Photographer Daido Moriyama reflects on the rebellious youth culture of late 1960s Japan, a period when he and his colleagues were working on the avant-garde photography magazine Provoke (1968–69). He discusses his attempt to deconstruct the medium in his series Shashin yo sayonara (Farewell Photography) (1972), though it ultimately deconstructed him.

Robert Adams’ Landscape of Mistakes

Photographer Robert Adams discusses the mystery and contradictions involved in capturing the American West on film. He describes making pictures of Colorado and California, where he uncovered both the darkness and the beauty of humans’ impact on the land.

Trevor Paglen Interview: The Meaning of an Image

“Images are incredibly strange things that have no inherent meaning at all.” “Images are incredibly strange things that have no inherent meaning at all.” In this video, the American “ground-breaking investigative artist” Trevor Paglen discusses the significance of images, which he considers opportunities to think about how the world is changing. We all carry our […]

Ai Weiwei Interview: Our Judgement is Crippled (2019)

“Modern society is a ruin, in our emotions and our judgement.” On the occasion of ‘The Rest’ (2019), a documentary featuring his encounters with refugees, Ai Weiwei – one of the most influential artists of our time – speaks open-heartedly about the global refugee crisis, which calls for individual action: “There is so much we […]

Hammer Projects: Sam Falls

Sam Falls works intimately with the core precepts of photography –namely time, representation, and exposure – to create works that both bridge the gap between various artistic mediums and the divide between the artist, object, and viewer. Working symbiotically with nature and the elements, Falls’s artworks are engrained with a sense of place indexical to […]

Geronimo, Sitting Bull and other Native American Cabinet Cards

First introduced in the 1860s, cabinet card photographs were similar to cartes-de-visite, only larger. Measuring approximately four inches by six inches and mounted on cardstock (similar to cardboard), cabinet card photos got their name from their size—they were just the right size to be displayed on a cabinet. Cabinet cards reached their peak of popularity […]

Doug Aitken Interview: “The Nomadic Studio” (2016)

In this interview featuring extracts from Doug Aitken’s visually stunning videos, the American multimedia artist offers insight into his captivating work and how he learns from “watching things become a car crash in slow motion.” “In some kind of freaky, activist way I wanted to do something that was artist driven.” On the subject of […]

Electric Earth – The Art of Doug Aitken (2018)

This episode profiles prominent artist Doug Aitken who for more than 20 years has shifted the perception and location of images and narratives. His multichannel video installations, sculptures, photographs, publications, happenings and architectural works demonstrate the nature and structure of our ever-mobile, ever-changing, image-based contemporary condition. In his newest piece, “Underwater Pavilions,” he creates a […]