It suggests that the first “thing” or structure to deploy God’s image as creator is that of an “unknowing”, a design for which, he had to create its anti-thesis. By
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Spanning two of the gallery’s spaces on West 19th Street in New York, Thomas Ruff’s exhibition features the world debut of his new series, photograms, alongside his ongoing series, ma.r.s. Connect to the
Sammlung Goetz, Munchen, 1994 Ruff’s work is based on a critical study of the nature and history of photography. To his mind, the reputed objectivity of photography has always been
Haus der Kunst – Thomas Ruff im Interview mit Thomas Weski, 16.02.12 Connect to the ASX world! Like us on Facebook, follow us on Twitter and Instagram.
Seine überlebensgroßen Porträtfotos machten Thomas Ruff weltberühmt. Jetzt zeigt eine Ausstellung in Münster seine Leidenschaft für das Weltall. Unter dem Titel “Stellar Landscapes” sind Aufnahmen zu sehen, die uns neue
“In a way I wanted to blot out any traces or information about the person in front of the camera. I also wanted to indicate that the viewer is not
Surfaces and Depths. Photographs by Thomas Ruff. Edited by Gerald Matt. Text by Catherine Hug, Douglas Fogle, Kurt W. Forster, Gerald Matt. Verlag fur Moderne Kunst Nurnberg, 2009. Cat# DQ331
Thomas Ruff talks to Philip Pocock (1993) Philip Pocock: Unlike the Neue Sachlichkeit of Sander or Renger-Patzsch, there is a clear crisis of belief in the objectivity of your medium