These photos are ground zero of punk rock style—delirious innovation and a snarling takeover of youth culture still resonating more than 20 years hence.
Marguerite Baker Johnson, a native of Brussels Belgium was a noted female photographer noted as the first woman to take photographs inside the arena at “Cheyenne Frontier Days”, a task formerly conducted by men due to the dangerous setting. Her photos appeared in the New York Times, Chicago Tribune, Automotive Periodicals, London Times, Daily Mirror, […]
American photographer. From 1914 to 1917 she attended the New York Training School for Teachers and there decided to become a photographer, partly influenced by visits to the photographer Arnold Genthe. From 1917 to 1918 she attended a photography course run by Clarence H. White at Columbia University, NY. Lange moved to San Francisco […]
“Todd Hido’s large color photographs of suburbia are lonely, forlorn, mysterious… and strangely comforting. Hido photographs the interior rooms of repossessed tract homes, and the outsides of similar houses at night whose habitation is suggested by the glow of a television set or unseen overhead bulb. Seldom does the similar evoke such melancholy. Yet rather […]
(All images @ Juergen Teller) ASX CHANNEL: JUERGEN TELLER
Courtesy of THESE AMERICANS
Albuquerque, New Mexico and NE Artspace Press and Castelli Graphics, 1980 (All images @ Lewis Baltz) ASX CHANNEL: LEWIS BALTZ
WWW.JOSEPHBELLOWS.COM (All images copyright and courtesy of Joseph Bellows Gallery and Steve Kahn)
In the fall of 1990, Keizo Kitajima received a commission from Japan’s Asahi Shimbun newspaper to visit the Soviet Union, the opportunity to spend a year documenting both people and places in what was then a monolithic entity. 15 republics, 11 time zones, and thousands of miles spanning the two—the task was daunting in […]
EXPLORE ALL AUGUST SANDER ON ASX
William Reagh loved Los Angeles and he was faithful to her for 50 years.
Found images from the Gulf War showing ‘How the West was Won’. Ride ’em cowboy.
Vivian Dorothea Maier (February 1, 1926 – April 21, 2009) was a street photographer.
From 1975-1977, Larry Sultan and Mike Mandel selected photographs from a multitude of images that previously existed solely within the boundaries of the industrial, scientific, governmental and other institutional sources from which they were mined. The project, “Evidence”, was funded by a grant from the National Endowment for the Arts, and was one of […]
ASX CHANNEL: JOHN DIVOLA (All images @ John Divola)
ASX CHANNEL: BEN SHAHN
A selection of photographs produced by Charles Van Schaick between 1890 and 1910 that were used in the book Wisconsin Death Trip by Michael Lesy (1973). There are approximately 5,600 glass plates in the Charles Van Schaick collection preserved at the Wisconsin Historical Society and the Jackson County Historical Society.
(All rights reserved. Images @ Robert Frank)
Vince Aletti describes The American Monument as “almost maniacally inclusive, rounding up everything from Plymouth Rock to a plaque commemorating the Pony Express in Salt Lake City and treating them with the same nonchalance. The doggedness of Friedlander’s quest is at once astounding and hilarious… History stalks the landscape at every turn.” The American Monument. […]
Isabel Steva Hernández, “Colita”, was born in Barcelona in 1940. After finishing her pre-university studies she moved to Paris to study at the Sorbonne. On her return to Barcelona, she learned the photographer’s trade from Oriol Maspons, Julio Ubiña and Xavier Miserachs. In 1962 she worked on the film “Los Tarantos” and became friendly with […]
Arriving in Paris in 1924, Brassaï rapidly became a shrewd observer of nocturnal Parisian life.
In the 1950s, when Boston was a major Navy port, the area around Washington Street became known as the Combat Zone; the name derived from the Shore Patrolmen, who prowled the rock-and-roll bars, busting the heads of sailors. By the 1970s, when Angier spent two and half years (1973-1975) photographing the area, the sailors […]
In the summer of 1958, several months before The Americans made its debut in France, Frank began experimenting with moving pictures.
“I’ve now taken up that little SX-70 camera for fun and become very interested in it. I’m feeling wildly with it. But a year ago I would have said that color is vulgar and should never be tried under any circumstances. It’s a paradox that I’m now associated with it and in fact I intend […]