APPROPRIATION

Explore the latest appropriation art on ASX. Georg Zinsler & Discipula Collective Interview: The Sentinel ScriptInterviewsInto the Subject’s World, Katja Stuke’s “Nationalfeiertag (National Holiday)”ReviewsPatrick Cariou v. Richard Prince, et al – The Appeal VerdictEssaysIn The Wake of Richard Prince and Instagram, Revisiting Copyright Law, Appropriation and HistoryEssays Appropriation art highlights. Luke Stettner: The Image as [...]

The Last Picture-Photography and Death Interview C/O Berlin

“The other reason is the question of memory – in line with the invention of the medium, mass images of the dead emerged in the second half of the 19th century. A fashion wave that is not only reserved for the nobility and clergy, but also for simple people, in order to have a portrait, a memory picture of someone at all”. -Felix Hoffman

Erik Kessels: SHIT and Empty Infantilism

“I think that this is an argument that needs definition and that in doing so, following it up with the above analysis mentioning of colluding Nazis to the smell of shit and gay activity to the Nazi and his shitting, we are reducing gay men to shit smelling Nazis whose sexuality is thus limited and demonized incorrectly”

Jurgen Maelfeyt: Precious Things

“Lips is just one of his titles that works between the space of desire, appropriation, the body and what I will loosely label as the ethereal space between memory, nostalgia and history considered the “collective design unconscious.”

Karlheinz Weinberger: Leather Chaps and Denim Straps, Belt Buckles Galore

“Youth culture disavowed the mainstream façade of marriage, home, family, and traditional ageing instead looking to music, fashion, drugs, and listless sex for inspiration. They concentrated on the open roaming way of life best exemplified in cinema with “Easy Rider…”” Karlheinz Weinberger’s photography has its roots in what can be described as the sub-cultural or […]

Alessandro Calabrese: A Failed Entertainment

“That is to speculate that the authorship of the single complete image may well have been limited to the artist, but its circumferential acclimatization in book form have enabled a second tier retro-authorship of said generated images. They become meta-appropriations in a sense.”