A look at photobooks from Japanese photographers Hiromi Tsuchida and Issei Suda, both of which are 1970-era portraits of predominantly rural parts of Japan.
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Interview with Photographer Donna Ferrato, Nieman Reports, 1998Melissa Ludtke: You’ve spen...
By Walter Hopps, essay from The Hasselblad Award, 1998'I think of them as parts of a novel I...
Bar 8.B.C., 1984 By Thomas BellerExperiencing the city can be like a dream; its logic can sud...
Untitled (cowboy), 1999 A Conversation with Richard PrinceThis interview is excerpted from a ...
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Igor, 1987 By Gary Indiana, originally published in ArtForum, January, 1993The man's name is ...
New Mexico, 1957 (Figure 13) Part IBy Carl ChiarenzaOriginally Published in IMAGE Magazin...
Stripper-stretch marks and desert-devil-dust... Mexican-Men and Tequila-Worm-Lust... jiggling br...
Cookie at Tin Pan Alley, 1983 "I used to think I couldn’t lose anyone if I photographed them e...
Man, Mill's Hotel, 1951Jem Cohen: In the mid-1980s, when I first came to New York and lived w...
Boy + Swing + Simpering Girl, New York, 1955 By Jane Livingston, excerpt from The New York Schoo...
Man without shirt and woman on porch, Battle's Quarters, 1971 By Paul KwileckiBATTLE'S QUARTE...
By Nan Goldin, for The Digital Journalist, 20 Years: Aids & Photography, 2001, brought to AS...
Pat Sabatine's 8th Birthday Party, Martins Creek, April, 1977 Attraction and Desire: Larry Fink...
"Strangers and Friends"By Anne Wilkes Tucker, foreword to Rough BeautySmall towns are ty...
From Park City, Lewis Baltz Landscape and the West - Irony and Critique in New Topographic Photog...
Mrs. K and Daughter, Jones Beach, 1970 By Tim Murphy, Newsday Long Island, NY, 2010Why did yo...
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