We asked Harry Gruyaert what role colour plays in his photography.
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By Walter Hopps, essay from The Hasselblad Award, 1998'I think of them as parts of a novel I...
Cookie at Tin Pan Alley, 1983 "I used to think I couldn’t lose anyone if I photographed them e...
Mrs. K and Daughter, Jones Beach, 1970 By Tim Murphy, Newsday Long Island, NY, 2010Why did yo...
Bar 8.B.C., 1984 By Thomas BellerExperiencing the city can be like a dream; its logic can sud...
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Man without shirt and woman on porch, Battle's Quarters, 1971 By Paul KwileckiBATTLE'S QUARTE...
From Park City, Lewis Baltz Landscape and the West - Irony and Critique in New Topographic Photog...
Stripper-stretch marks and desert-devil-dust... Mexican-Men and Tequila-Worm-Lust... jiggling br...
Boy + Swing + Simpering Girl, New York, 1955 By Jane Livingston, excerpt from The New York Schoo...
By Nan Goldin, for The Digital Journalist, 20 Years: Aids & Photography, 2001, brought to AS...
Pat Sabatine's 8th Birthday Party, Martins Creek, April, 1977 Attraction and Desire: Larry Fink...
Man, Mill's Hotel, 1951Jem Cohen: In the mid-1980s, when I first came to New York and lived w...
Interview with Photographer Donna Ferrato, Nieman Reports, 1998Melissa Ludtke: You’ve spen...
New Mexico, 1957 (Figure 13) Part IBy Carl ChiarenzaOriginally Published in IMAGE Magazin...
"Strangers and Friends"By Anne Wilkes Tucker, foreword to Rough BeautySmall towns are ty...
Untitled (cowboy), 1999 A Conversation with Richard PrinceThis interview is excerpted from a ...
Igor, 1987 By Gary Indiana, originally published in ArtForum, January, 1993The man's name is ...
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