Artist Chuck Close discusses why he paints portraits.
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New Mexico, 1957 (Figure 13) Part IBy Carl ChiarenzaOriginally Published in IMAGE Magazin...
Igor, 1987 By Gary Indiana, originally published in ArtForum, January, 1993The man's name is ...
By Nan Goldin, for The Digital Journalist, 20 Years: Aids & Photography, 2001, brought to AS...
Man, Mill's Hotel, 1951Jem Cohen: In the mid-1980s, when I first came to New York and lived w...
Registration opens on 4/16.HERE...
"Strangers and Friends"By Anne Wilkes Tucker, foreword to Rough BeautySmall towns are ty...
Cookie at Tin Pan Alley, 1983 "I used to think I couldn’t lose anyone if I photographed them e...
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Mrs. K and Daughter, Jones Beach, 1970 By Tim Murphy, Newsday Long Island, NY, 2010Why did yo...
Bar 8.B.C., 1984 By Thomas BellerExperiencing the city can be like a dream; its logic can sud...
By Walter Hopps, essay from The Hasselblad Award, 1998'I think of them as parts of a novel I...
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Untitled (cowboy), 1999 A Conversation with Richard PrinceThis interview is excerpted from a ...
Boy + Swing + Simpering Girl, New York, 1955 By Jane Livingston, excerpt from The New York Schoo...
Stripper-stretch marks and desert-devil-dust... Mexican-Men and Tequila-Worm-Lust... jiggling br...
Pat Sabatine's 8th Birthday Party, Martins Creek, April, 1977 Attraction and Desire: Larry Fink...
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